International Catalogue Raisonné Association

The Board

Chair: Pierre Valentin

Pierre Valentin is a leading art lawyer and founding partner of Constantine Cannon LLP in London. He was formerly Associate General Counsel and Senior Director of Sotheby’s. He has been advising artists and their estates for over twenty years, and he is a trustee of the Artists’ Collecting Society.

Secretary: Harriet Bridgeman CBE

In 1972, Viscountess Bridgeman founded Bridgeman Images, today one of the world’s most prominent image libraries. In 2006, she was lobbied by art market professionals to set up the Artists’ Collecting Society, which handles the copyright and resale rights of over 1000 artists including such high-profile names as Lucian Freud and Stanley Spencer.

In addition, she has worked closely with many authors and publishers in the production of their catalogues raisonnés. Lady Bridgeman supports pre-eminent artists in commercialising their work through the handling of their copyright. In 2013, she was awarded a CBE for her contribution to the arts.

Treasurer: Toby Treves

Toby Treves is the CEO of Modern Art Press, a charitable organisation that specialises in the publication of catalogues raisonnés. Thus far, the Press has published “William Nicholson: catalogue raisonné of the Oil Paintings” by Patricia Reed, and “Peter Lanyon: catalogue raisonné of the Oil Paintings and Three-dimensional Works” by Toby Treves. Next year, they will publish “Leon Kossoff: catalogue raisonné of the Oil Paintings” by Andrea Rose, and “Lucian Freud: catalogue raisonné Vol.1” by Frances Carey.

Beyond his knowledge of publishing such books, Mr Treves’s own authorship of a catalogue raisonné has provided him with first-hand experience of compiling them.

Dr David Anfam

Dr Anfam is Senior Consulting Curator at the Clyfford Still Museum, and Managing Director of Art Ex Ltd. He holds a PhD from the Courtauld Institute of Art that focused on Clyfford Still (1984). Among Dr Anfam’s awards are the prestigious Mitchell Prize for the History of Art (2000) and the Umhoeffer Prize for Achievement in Humanities (2009). His writings on Still and other American artists have repeatedly explored the connections between their achievements and other disciplines, including anthropology, philosophy, literature, and social history. Dr Anfam is the author of “Mark Rothko: The Works on Canvas”, and has served as Fine Art Commissioning Editor at Phaidon Press.

Edith Devaney

Edith Devaney is the Contemporary Curator and Head of Summer Exhibition at the Royal Academy of Arts, London. She originated and co-curated the Jasper Johns; ‘Something Resembling Truth’ exhibition in 2017 and Abstract Expressionism in 2016. She also curated the David Hockney exhibition, 82 Portraits and one still-life, and originated and co-curated the Hockney landscape exhibition, A Bigger Picture, in 2012, and Richard Diebenkorn in 2015. In her capacity as Head of Summer Exhibition at the Royal Academy of Arts, she has worked with many international contemporary artists on both the curation of this annual exhibition and special projects and displays relating to it.

She is a Director of the David Hockney Foundation.

Teresa Krasny

As former Head of Sale at Christie’s Impressionist & Modern department in London, Ms Krasny was responsible for ensuring the authenticity of the artworks offered in the context of the auctions she ran. Knowing the relevant experts and understanding the authentication process for each artist in this category was essential. She is a member of the vetting committee for the Modern and Contemporary section at TEFAF Maastricht where along with her team, she determines whether the artworks offered by galleries meet the required standards of authenticity and quality.

As art advisor/curator to a private collector, the expertise process is a fundamental part of the due diligence Ms Krasny undertakes prior to any acquisition. She has considerable first-hand experience of the issues relating to the authentication and archiving of an artist’s work and the damage that the lack of a credible catalogue raisonné and authentication process can cause to an artist’s legacy and commercial viability.

Saskia Spender

Saskia Spender is the President of the Arshile Gorky Foundation since 2016, and is the artist’s granddaughter, as well as a fifth generation artist herself. The Arshile Gorky Foundation is a US based 501(c)3, dedicated to safeguarding the artist’s legacy. Its primary purpose is to complete the Catalogue Raisonné.

Saskia grew up in Italy, emigrating to England to study social anthropology at Girton College, Cambridge. She has two children and works in London.

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